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  • Home
  • Resources
    • Smarthistory
    • Antonio Francisco Lisboa: Aleijadinho >
      • Documentary Evidence
      • Gallery
  • Teaching
    • Visual Dynamics
    • History of Art I
    • History of Art II
    • History of Photography
    • Museum Ethics & Issues
    • Theory & Methods
    • Native American Art >
      • About
      • Virtual Tour
      • Collaboration
    • Latin American Art
  • Research
    • Textiles >
      • Chintz
      • Woven Patterns
      • Embroidery
    • Metalwork >
      • Utilitarian Items
      • Jewelry
    • Furniture >
      • Beds
      • Storage
      • Seating
      • Transportation
    • Ceramics >
      • Porcelain
      • Tin-Glazed Earthenware
    • Resources
  • Contact

Picture
Photo: MatrizNet

Bedcover

silk tafeta embroidered with silk
eighteenth or nineteenth century
Castelo Branco, Portugal
Palacio Nacional da Ajuda




Castelo Branco was well known for its silk embroidery. Although the motif of the tree of life derives from European imagery sent to Asia, early modern consumers in Europe associated it with exotic Asian imports. This embroidered quilt imitates the painted chintz coverlets that were produced in India for export to Europe. 


Picture
Photo: Metropolitan Museum of Art

Panel

silk
seventeenth to eighteenth century
Portugal
The Metropolitan Museum of Art



This hanging is an excellent example of the interest in the abundance and variety of the natural world. Animals from all over the globe are depicted, including New World animals, such as the turkey.

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Copyright 2018 Rachel A. Zimmerman ​
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